Showing posts with label Outlander. Show all posts
Showing posts with label Outlander. Show all posts

Wednesday, December 31, 2014

My 20 Favorite Television Shows of 2014



"Great TV comes in all shapes and sizes."  That's become my motto over the course of this year, and something I want people to remember when they find themselves pre-judging a show based on some arbitrary standard.  We're increasingly moving away from the idea that every good drama has to be an antihero show in the vein of The Sopranos and every comedy has to be something fast-paced and single-camera like Arrested Development.  Now, we're living in an age where the best new series of the fall is a CW show based on a telenovela (watch Jane the Virgin, people!) and one of the best comedies of the year is a charming little Australian show that airs on a network called Pivot (watch Please Like Me, people!).  Say it with me now: Great TV comes in all shapes and sizes!

2014 was not quite as good of a year for television as 2013, which I consider the best year of TV since I started following the medium closely.  Last year featured a breadth of terrific new shows, but some of them faltered a little bit in 2014 (Masters of Sex, Orphan Black).  Even still, there are so many great shows popping up out of new places.  For example, this year saw Amazon solidify themselves as serious content creators with Transparent, Jill Soloway's shaggy, intimate tale about family and identity.  As a result of this continued expansion of the medium, I watched more television than ever this year -- the number of shows I followed completely in 2014 was a whopping 104.

There was quite a bit of turnover between my list last year and the one this year, with 14 of the shows that appeared on 2013's list being absent on this one.  Even what I consider to be some of my favorite shows are missing.  Game of Thrones had a fourth season that had some astonishing individual moments, but the show as a whole feels like it's increasingly spinning off its axis.  For every time Girls was brilliant in season three, it was just as maddening a scene or two later.  Orphan Black was fun and exciting while it was airing, but a bit of a mess when viewed in hindsight.  Justified had a chance to go down as one of my favorite dramas of this generation -- and it still does, if it sticks the landing -- but it's hard to see this year as anything other than a misstep for the show.  And I've thoroughly enjoyed the final season of Parenthood, but NBC chose not to air the entire run in 2014, so the material that would've likely pushed it in to the top 20 won't appear until next year.

Another trend I noticed is that this year was a better year for comedy than last year, if my lists are anything to go by.  Last year only featured two pure comedies, while this year has triple the amount at six.  So don't let anybody tell you that TV isn't cyclical.

The rules: Shows are considered for this list based on the episodes that they aired in 2014.  This is a pretty plain and simple rule for cable dramas, where full seasons usually air within a single calendar year.  However, it gets slightly messy when considering network shows, which usually air the first half of their season in the fall and the second half starting January of the next year.  So something like, say, Brooklyn Nine-Nine would be judged based on the second half of its first season (which aired at the beginning of the year) and the first half of its second season (which started in the fall of this year).  As for what constitutes a TV show, anything that airs on, you know, a TV station counts.  But shows that air exclusively on Netflix, Hulu, or Amazon count too.  Unfortunately, "web series" don't qualify (but watch Jules and Monty anyway, because it's great), even though that distinction is becoming harder and harder to make.  Okay, everything clear now?  Good, let's get this list started...

Thursday, August 7, 2014

Pilot Talk 2014: Outlander



Every TV season, networks bring out a new crop of shows, in hopes that they'll be the next big hit.  Pilot Talk is devoted to figuring out whether these shows are worth your time based on the first episode.

Saturdays at 9:00 PM on Starz

Initially, I was only going to watch Starz's new fantasy show Outlander because it was developed by Ronald D. Moore.  Having created Battlestar Galactica (one of my favorite shows of all time) and Virtuality (one of my favorite pilots of all time), he's one of those writers for whom I'll give a chance to anything they're involved with.  (This is what led me to sticking with Helix way longer than I should have, given its gradual slide into inanity.)  Though the Diana Gabaldon book series on which this show is based is popular, I've never read them, so I didn't have any built-in knowledge of the story.  A quick glance at the premise -- a former World War II nurse finds herself transported back to 1743 Scotland -- made the whole thing seem a bit silly, if I'm being honest.  But despite all of those misgivings, Outlander's pilot turned out to be shockingly great.

Part of the reason the show manages to be palatable is that the pilot takes its time introducing the actual concept.  The episode rounds out at a full 60 minutes and completely swims in it.  Before giving off any whiff of time travel, the show smartly lets you have ample time with Claire (Caitriona Balfe) as a person.  In that long introductory portion, she's shown to be determined, sensitive, thoughtful, and hard-working -- all of which make her a truly compelling protagonist.  To get in her head space even more, Moore chooses to have her narrate the events of the story (a vestige of the novels, no doubt), which is usually damning but totally works here.  If we didn't get to know Claire in the 1940s, then her getting blasted back to the past wouldn't matter much.

The pilot really soars once she gets mysteriously travels back to 1743, though.  It's truly commendable that the show has the conviction to keep its two leads apart until the last 20 minutes, especially because when Claire does meet Jamie (Sam Heughan), a Scottish civil war soldier, it's electrifying.  Clearly, Outlander is going to lean heavily on romance in the future, and the crazy chemistry between Balfe and Heughan ensures it'll be something worth looking forward to, not an element to merely put up with.  The scenes in the past are also deceptively funny.  As to be expected, some jokes derive from the fish out of water aspect of Claire's story, but more importantly, the laughs are very character-driven more often than not.

So far, the show is sexy but not sleazy, deliberately paced but not stuffy, and fun but not mindless.  Most of all, it proves that Ronald D. Moore -- a writer who hasn't had much success in the last few years -- can do great work outside of his usual realm of sci-fi.  Outlander is a spectacular fantasy program.  Yeah, I'm just as surprised as you are.

Grade: A-